Edna Dali introduces us to a magic, vibrant, aesthetic world. Her work reflects her artistic development beginning with modeling, sculpturing and producing characters and dolls through to creating small sculptures depicting personal and collective messages.
Edna Dali is part of the prevailing tendency in contemporary art of breaking down barriers between different categories of art, between art and reality and between arts and crafts. Through her characters she makes statements, confronts questions and touches upon personal-excitement from within as well as communal problems. Her  special works of art express an open-eyed approach,  a love of truth, a sense of humor as well as a need for precision and accuracy.

The characters are sometimes exaggerated and even grotesque as they search for equilibrium and harmony. Her natural senses and abilities combined with the experience of human encounters she gained as a social worker in the early seventies, led her naturally to prefer human figures as her subject matter. Her style reflects a search for beauty, accuracy and perfection in even the smallest of details.

Most of her characters are shy and introverted art showand do not gaze directly at the viewer, allowing the viewer to go beyond aesthetic feelings to the deeper psychological ones. Since 2004, Edna has exhibited a series of accurate "replicas" of characters in the operas performed in the Opera House in Tel Aviv: "The Magic Flute" (May-June 2006), "Hoffman Stories" (January –March 2007) and " Venice in Tel-Aviv" ("La Giaconda", May 2008). All of these characters bear her singularly original artistic style.

Since 2006, she has been involved in creating two new series: The "Circus" and "Edgar".She uses white clay fired at high temperature, a material which provides  her with more flexibility and accuracy and gives the characters the pale complexion she prefers.

In the new series, Edna paints the eyes, hair and clothes of her characters with acrylic colors, and has developed an amazing capability in the use of this medium. In the "Edgar" Series, for example, the "little man" is given a right to existence, autonomy and presentness , basically representing each of us. In Edna's words, "Not everything depends on the decisions of the Generals, Politicians and Economists- one has to take into consideration the anonymous individual who exists and influences, no less than the y do". We get acquainted with Edgar and accompany him during several stages of his life and in different states of mind:  the baby, the boy, fishing for love, searching his way, drunken, the humor ous posture in "What's up?" and in heaven, surrounded by masks. The mask plays a central role in her created world.

edna dali exhibitionThe "Circus" series is driven by a present reality and is a search for equilibrium, though in a slightly disguised way. In the grotesque and exaggerated figures in her "circus of life" one can find the dancer's long hands and feet in the "Extraction", and the fat lady in the "Hula Hoop" whose hoop can hardly circumnavigate her heavy hips. The humorous exaggeration stresses the need to find stability and equilibrium in daily life.

Edna Dali's work manifests the William Shakespeare quotation from " As You Like It": "All the world's a stage and all the men and women merely players". She transforms the art of sculpture to showcase periods, situations and philosophical and human truths. She acts as a dreamer, execut or, playwright , and costume designer. Her little figures enable one to enjoy complex beauty. Her aim is to stress the aesthetic side of art and to let people enjoy it. She manifests the wish of artists like Renoir and Matisse in creating an art of balance which has the calming influence of a good armchair. (Written by Dr. Dalia Hakker–Orion, Images courtesy of Michal Mandelman).

Awards

2005 - "Dolls Magazine" - Nomination for Dolls Award of Excellence
2004 - Doll & Toy museum of NYC - Outstanding Achievement (2nd place)
1998 - "Dolls Magazine" - Recognition of Excellence
1997 - "Dolls Magazine" - Nomination for Dolls Award of Excellence
1993 - IDEX SHOW - People Choice Award
1990 - "Dolls Magazine" - Award of Excellence
1987 - "Dolls Magazine" - Award of Excellence
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Edna Dali is featured in the following publications:

Trend Design Magazine
April 2008
Nisha Magazine
February 2008
Nisha Magazine
Toys for Girls
Patrice Faramech
Tectum Publishers
2007
Toys for Girls
Contemporary Doll Collector
Scott Publications
May 2006

Russian Doll Magazine
July 2005
Doll World Magazine
Russian Doll Collectors Club
May 2005
Clowns, Fools & Jesters
Bet Ariela Cultural Center
Exhibition Catalog
Spring 2005
Here Come the Bride Dolls
Louise Fecher
Portfolio Press
2001

The World's Most Beautiful Dolls Volume 2
Joan Muyskens Bursley
Portfolio Press
2001
Dolls Magazine
August 1999
Wachtanoff Doll Gallery
Catalog 1997
Masterpieces of the World
Dollami Verlag
Germany
1997

The World's Most Beautiful Dolls
Joan Muyskens Pursley and Karen ischoff
Konecky & Konecky New York
1995
The Doll by Contempoary Artists
Krystyna Poray Goddu & Wendy Lavitt
Abbeville Press
1995
Dolls Magazine
July 1995
Doll Art - International Puppenszene
Verlag Puppen & Spielzeug
Gert Wohlfarth Gmbh
1994
Contemporary Doll Magazine
May 1993
Contemporary Doll Magazine
Winter 1990

Contemporary Doll Magazine
Fall 1990
Contemporary Artists Dolls (A Collector's Guide)
Susanna Oroyan & Carol-Lynn Rössel Waugh
Hobby House Press Inc
1985

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